Two guided walks through Blackstone Park led by Midori Evans (writer and photographer) and Felicia Megginson(artist)
Saturday August 17 at 9am: Landscape Stories– Bring your favorite writing utensils and we will write as we walk! Collaborative sharing of poems and flash stories-essays if time.
Saturday August 24 at 9am: I Felt What I Saw– Bring your smartphone or camera and we will take photographs as we walk, sharing emotive images of what we see and feel
Join us on Saturday, August 3rd at 10am to explore camouflage insects and make a model of a preying mantis. With field guides and hand lenses, we will go on a bug hunt. Meet at the Blackstone Park kiosk: Parkside Rd. & E. Orchard Av., Providence, RI 02906. Part of the Art & Exploration at Blackstone Park series, with 15 Minute Field Trips, at 10 a.m. first Saturdays July 2019 – June 2020 Check the 15 Minute Field Trips Facebook page for weather updates.
Butterfly vs Moth is the first event of the Blackstone Parks Conservancy’s new “Art & Exploration” series! Since last month, we host a nature-inspired art activity followed by an exploration of the park, at 10 a.m. on the first Saturday of every month! Melissa Guillet, from 15 Minute Field Trips, has taught art for over 20 years and is an avid nature-lover involved in gardening, hiking, and collecting data as a citizen scientist. Learn about native species and how to protect them in each of the themed monthly activities!
On Sunday, July 14th, BPC hosted a concert of classical Indian music. The concert originated with an email I received from Srinivas Reddy, a Professor of Contemplative Studies at Brown, a practitioner of yoga, and a sitar player.
It was the sitar player who emailed me, asking if his group could play a concert at Blackstone Park. “Of course” I said—we have never heard Indian music played in Blackstone Field, which is a beautiful site between the Blackstone Park and the Seekonk River. It seemed to me this would be the perfect place to listen to music that was sophisticated and intimate.
Beyond these initial thoughts–and a general impression of Srinivas as a very pleasant person–I didn’t have much idea of what to expect. Srinivas told us he would be playing some Ragas, but I didn’t know what that meant. However, during the evening, I learned ragas are based in oral tradition, so I thought of them as songs.
But ragas go on longer, and are improvised more nimbly, than people can sing, so I began to think of them as jazz that is built around a melody (Think “Take the A Train”) that is spun out all different ways by the instruments in the group. Except in this music, there were only two instruments, the sitar and the tabla, (two drums with tonal qualities).
We heard three ragas that evening. Two were classical compositions and the third was sort of classical-lite. I found the last raga easier to relate to but the first two had a more abiding impact. Their memory lingers and I hope one day in the not-too-distant future to hear the strains of Indian music floating out to the Seekonk from Blackstone Park again.
Join us for a concert of Classical Indian Music this Sunday, July 14th, at 6 pm. Ajit Acharya (tabla) and Srinivas Reddy (sitar) will perform a medley of early evening ragas set to a variety of talas.
The classical music of India is an improvisatory art music tradition with roots in ancient philosophies and yogic practices. Today there are two distinct classical systems: the southern Carnatic tradition and the northern Hindustani tradition. Srinivas and Ajit are practitioners of the Hindustani genre which they learned from their respective teachers in the traditional master-disciple mode of apprenticeship. The Hindustani music tradition is unique in its rich blend of Indian and Islamic aesthetics.
All classical music of India is based on two fundamental concepts of melody and rhythm, known respectively as raga and tala. Ragas are melodic landscapes that encode specific musical parameters related to note combinations and embellishments as well as non-musical guidelines regarding the intended mood and time/season of a given performance. Ragas evolved from the voice but can be expressed on any melodic instrument. The exposition of a raga is further accompanied by the complex polyrhythms of various talas as realized on the tabla drum.
Links for further reading:
Srinivas Reddy is a scholar, translator and musician. He studied classical sitar in the traditional guru-shishya style with Sri Partha Chatterjee, a direct disciple of the late sitar maestro Pandit Nikhil Banerjee. Srinivas also trained in classical South Asian languages and literatures at Brown University and UC Berkeley. He has released three independent CDs and published three books of Indic translations with Penguin Books. Currently Srinivas is Visiting Professor of Religious Studies and Contemplative Studies at Brown University. He lives in Rhode Island and spends his time performing, teaching and conducting research around the world.
New England-based tabla player Ajit Acharya began his training under the tutelage of Sri Sheshagiri Rao of Bangalore, India. He also studied extensively with Dr. Rajan Sachdeva, one of the most respected and prolific Indian music teachers in the midwest. His table apprenticeship continues under the guidance of Pandit Samar Saha of the Benares gharana (or style) of tabla. Ajit has accompanied instrumentalists, vocalists and dancers. He has also given workshops all over the country and performed extensively with fusion, jazz and experimental musicians.